Hi, I'm Rob, and this is where I log the books, films, articles and other cultural flotsam that has caught my attention.

Consumed the week of 29 April, 2019

I watched Avengers: Endgame this week. I enjoyed it a lot. Not ‘five stars’ as a few critics have said, but definitely four.

There were more than a few think pieces around this week, as that Game of Thrones episode aired in the same week. This was the best of them I think, but even this one is a little meandering and toothless. Honestly, I think it’s going to take while for us to work out where all this is heading.

A better read are ‘Avengers: Endgame’ Has Taken Over the World. Let’s Talk About Fan Service and Marvel’s Legacy and ‘Avengers: Endgame’: The Screenwriters Answer Every Question You Might Have, both from the NY Times.

One of my favourite reads of the week was also from the NY Times (don’t worry I give the money via a digital subscription). One Island, 32 Miles, a Million Emotions is a short essay about a 12-hour walking tour around the edge of Manhattan. It’s great.

I also enjoyed (if that’s the word) To Grieve Is to Carry Another Time by Matthew Salesses at Longreads. Hard going, but very worth it.

Also from Longreads is None of the President’s Men about pop culture’s portrayal of journalism (clue: the real thing is nowhere near as romantic as the 70s heyday).

A bit more relaxed is The Irish Pub Is Dead, Long Live the Irish Pub which is an essay about gentrification in NYC. I realise now that I’m a bit obsessed with gentrification.

And as a big Eno fan, I gobbled up The Essential Guide to Roxy Music, From the Songs to the Eno-Ferry Feud by Vulture.

Talking of subscriptions… about a year ago The Times Literary Supplement began arriving through our letterbox. It was addressed to my wife and had out correct address…except the address also contained ‘Barnsley’ (the town closest to where I grew up). To this day we have no idea why it started arriving, but it suddenly stopped a few weeks ago, so I just spent my own money resubscribing as I’d enjoyed reading it so much. If that’s some kind of strategy by the publishers…well, it works.

I also just took out a subscription to The Idler. Who says the hardcopy press is dead?!

Books this week: I ripped through Austn Kleon’s Keep Going: 10 Ways to Stay Creative in Good Times and Bad which was a good follow up to How To Do Nothing.

As for music this week, here’s my 50+ track ‘summer playlist’ for this year:

Consumed the week of April 22, 2019

I finished Jenny Odell’s brilliant book, How To Do Nothing, this week. It’s phenomenal. I absolutely loved it, it’s message is simple and powerful and I have no doubt it will be one of my favourite books of the year.

And then I sat down to write this blog post and my first thought was “I haven’t read enough articles this week, maybe I should pack some in now before I write the blog post.”

That kind of thought lies at the very heart of what I think Odell is writing about. The productivity trap that myself, and so many others have been slowly tangling ourselves up in for so many years.

It’s scary to see it in myself but I’m glad I can see it.

Related: this week, one of the articles I did read was The Metrics of Backpacks from Art Practical. It’s not about backpacks…

What dismays me about technology is this: not the machine itself but the way its architecture echoes outward, imposing a grid of quantification on everything it touches. The sadness of numbers interferes with our thoughts, begs us to apply logic to warm, messy things. What becomes of the ambiguity of feeling? That which can’t be immediately identified is derided, denied, and eventually erased.

It’s a great article, which is also about being a woman in a male-dominated industry. It also made me take an uncomfortable look at myself.

Instead of reading things on the internet this week, I read a little bit of Austin Kleon’s new one, Keep Going: 10 Ways to Stay Creative in Good Times and Bad.

My favourite thing on the internet this week was a Tumblr dedicated to the Google Maps camera taking selfies.

And this article from Jason Kottke on cultural cartography and it’s distillation and industrialisation has stuck with me.

It was the Crystal Palace Open House this week, and our friends hosted the brilliant Jo Self and her work (read her Wikipedia entry – she has lead some life!). We also got to meet Ananya Rao-Middleton who took up water colour as therapy for Post-Concussion Syndrome and now produces these beautiful (dinosaur-featuring) works, some of which we were lucky to able to buy.

Apart from that it’s been about lunch with friends, watching Line of Duty, Killing Eve and Game of Thrones and re-watching Mission Impossible: Fallout (this time wih Nina).

I’m seeing Endgame on Tuesday (no spoilers!).

Consumed the week of 15 April, 2019

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Slightly late update this week because of the bank holiday. We had a slightly extended break, as we went to Seville over Easter. When we booked it we didn’t realise that ‘holy week’ in Seville is kind of a big deal, but really glad we were there to witness the Penitents parading through the streets, even if those costumes are a little unsettling at times.

Also the food is amazing. Highlights were the ravioli at Condendê in the old market, and (never thought I’d type this) the ‘KFC’ battered cauliflower at Bar Antojo.

I had to leave Neitzsche at home over Easter (too big for a carry on bag), but that meant I was able to get stuck into Jenny Odell’s How To Do Nothing, which is absolutely brilliant (I have about 50 pages left to go). Here’s a Longreads article about the book if you need convincing.

My favourite video of the week? Definitely this one:

My favourite news story of the week? Definitely this one.

I have been reading Jeffery Zeldman since I really started ‘reading’ the internet, so his recent essay Nothing Fails Like Success really rang true with me:

It’s too late for current internet businesses (victims of their own success) that are mortgaged to the hilt in investor gelt. But could the next generation of internet startups learn from older, stable companies like Basecamp, and design products that pay for themselves via customer income—products that profit slowly and sustainably, allowing them to scale up in a similarly slow, sustainable fashion?

As a result I’ve started dabbling with micro.blog. So far I’m very impressed with it.

I’ve got tickets for the Stanley Kubrick exhibition which opens in London soon. This It’s Nice That article on Kubrick and his obsessiveness is a good read.

For music this week, this accompanied my siestas while in Spain:

Consumed the week of April 8, 2019

This week has mostly been about this weekend, and three very different events.

The first was a trip to Alexandra Palace on Friday night to see the amazing Robyn. I’ve been looking forward to this for a while and Robyn didn’t disappoint. In fact she exceeded expectations. Here’s a clip from Twitter of me, plus 9,999 other people, singing along to Dancing On My Own:

Then on Saturday it was a change of gear. The Thin Veil of London walking tour takes a psychogeographic tour around Holborn and Bloomsbury, loosely based on the work of the author Arthur Machen. I won’t spoil it in case you go yourself (which you absolutely should), but will say that it’s brilliantly put together by Robert Kingham, the pubs along the way are second to none, and you will come away entertained, spooked and a little changed (in a good way). I liked it so much I bought the book.

And, of course, the last thing was the US Masters. One of my favourite weekends of the year, and one of my few sporting obsessions (along with the Tour de France). And what a Masters! Love or hate Tiger you can’t deny that’s a hell of a story.

All that, plus a midweek trip up to Manchester with work, hasn’t left me a lot of time to read stuff other than my Nietzsche biography. But I did read this from the NY Times on the The Moral Peril of Meritocracy, and this article on the importance of Maslow’s pyramid of needs… and this one on why Maslow’s pyramid is actually based on an elitist misreading of the his work.

Who knew needs were so controversial!

Music this week. Has to be this.

See you next week.

Consumed the weeks of 18 March and 25 April

Been stuck in a slight rut recently, that’s why no week notes last week.

I finished the book I was reading: The Night Ocean by Paul La Farge and even though I quite enjoyed the first 100 pages, it was a slog to get to the finish and there’s nothing like a dispiriting read to make you think twice about picking up another book.

I pushed through though and read some quick nonfiction: The Worst Is Yet To Come – A Post-Capitalist Survival Guide, by Peter Fleming which was snappy and acerbic and fun.

So sticking with non-fiction for the time being, and just started on I Am Dynamite!, Sue Prideaux’s biography of Nietzsche.

Similarly, films have taken a bit of a back seat recently, but I am halfway through watching Unsane (Stephen Soderbergh, with Claire Foy) which is great, but is creeping the hell out of me.

I did just watch this 20 minute documentary short about dishwashers though. It’s lovely.

Also, this short film following skaters around an abandoned wool factory is hypnotic. I could honestly watch it on a loop for hours.

Hey, do you fancy yet another article about the old days of the internet and how it’s go shit since then and why can’t we just go back to the good old days when all this was all fields? Course you do! Actually this article on Flickr versus Instagram is a well-balanced and nicely though through.

I did do some things these past couple of weeks. I went visit the tiny but great Staging Magic exhibition at Senate House Library (worth it just go to inside a library, they are instantly calming places). And I visited Mark Wallinger’s World Turned Upside Down sculpture in the grounds of the LSE.

It was also my wedding anniversary (13 years!) and we saw Sharon van Etten in concert at the Roundhouse.

Here’s a nice, chilled album to ease you through the week.

Consumed the week of 18 March, 2019

Definitely my highlight of the week was the Vampire Weekend ‘breakfast gig’ at 10am Saturday morning at Islington Assembly Hall. I was pretty hungover from the end of a slightly rough work week, but the gig was tremendous. Here they are in the middle of performing A-Punk three times in a row.

And here’s an interview with Ezra Koenig from GQ magazine talking about the new album (I was lucky enough to attend the playback of the album on Tuesday night, and it’s very good).

Also from GQ, here’s the brilliant Jenny Odell talking about her upcoming book How to Do Nothing (it is NOT a digital detox book!). I have read Odell’s essay of the same name (actually a version of a keynote talk she gave at EYEO a couple of years ago) multiple times and taken something away from it each time. Really looking forward to reading the book.

I really liked this essay from one of the founders of Design Studio HAWRAF about why they shut the studio down and the lessons they learned along the way. They also opened up their Google drive for anyone to look at. Brave.

Long read of the week goes to Dice Roll: The Phantom Gambler from The Paris Review.

Music for this week: Karen O (and Danger Mouse) with a Spike Jonze-directed performance for the track Woman.

Films watched recently: Triple Frontier on Netflix is a ok macho movie (with a Top Gear-esque soundtrack of dad rock classics to match) that doesn’t use Oscar Isaac enough but used Ben Affleck just enough. It’s entertaining nonsense.

Three Identical Strangers is a solid documentary that takes an interesting story that builds into a potentially fascinating one, and just undercooks it slightly. At 90 minutes it still felt a bit overlong and repetitive, but the story is so incredible it’s worth watching.

Finally, Doctor Strange is… well it’s pretty dull. I was hungover. It’s on Netflix. It did the job, just. But really, for a film that has Benedict Cumberbatch, Chiwetel Ejiofor and Tilda Swinton in it, it’s severely underwhelming.

Consumed the week of 4 and 11 of March, 2019

Above: ‘Funny video of high school student calling his teachers by their first names’. That’s all you need to know really.

I missed last week just because I had a bunch of stuff on and didn’t have a lot of time to get any of this down. My wife was away in the US with work so I’ve been keeping myself busy/distracted, which means catching up with friends, eating and drinking out a little too much and discovering the delights of Mario Versus Rabbids on the Nintendo Switch.

Talking of video games… By far my favourite read of the week was Pac-Man: The Untold Story of How We Really Played The Game about how the particular pattern of wear on the sides of Pac-Man machines arises from the nature of the game.

Fantasy’s Widow: The Fight Over The Legacy Of Dungeons & Dragons is a slightly depressing long read from Kotaku about the paranoia, uncertainty and shitty behaviour that inevitably occurs when a creator leaves behind a much-loved and potentially lucrative intellectual property.

One of the things I did this week was to play poker with friends. I haven’t done that in years and it was a lot of fun. Coincidentally, I also read The End of Poker Night, Mindy Greenstein’s memoir about her Jewish parent’s poker habit.

For Theranos nerds: How a broken patent system sustained its decade-long deception is a short, eye-opening read about how patent submissions (in the U.S. at least) don’t really need to actually work in order to be granted.

Probably the most necessary read of the month is The World Wide Web Turns 30. Where Does It Go From Here? by Tim Berners-Lee. Will be interesting to see where this goes.

Not as urgent, but still really interesting, Steven Spielberg Has Picked The Wrong Way To Argue Against Netflix from Digg is a good breakdown of the Hollywood spat.

Best visuals of the week goes to An Interview with Pascal Blanche from Sci-Fi-O-Rama.

A quick but of music to leave you with: Lissie covering Fleetwood Mac’s Dreams.

Consumed the week of 25 February, 2019

I am sitting here in my living room, at the end of a week that began with temperatures in the 20s and with people lounging around outside, in their shirt sleeves… and right now all I can hear is the rain lashing against our window and what sounds like a nascent hurricane slipping under the gap at the bottom of our front door.

And, yes, you’re correct if you thought these posts were getting more ‘writery’. I’m enjoying putting some proper sentences together, so thought I might as well make the most of it.

I haven’t read a whole lot this week. I am, God help me, reading the thriller novel I Am Pilgrim. I picked it up because it was recommended to me by two separate people in the space of a week (even though it was published a few years ago) and I trusted the serendipity.

It is, I can confidently say, one of the most poorly-written books I’ve ever read. I mean, it’s bad. Very bad. I want to give you some examples but it’s almost too painful. Also I don’t want to highlight them on my Kindle in case some rogue AI thinks I’m appreciating the awful sex/weapon metaphor.

I’m equally confident that I’ll finish it though. I’m not sure why. It’s entertainingly bad I guess. Plus, I have a rule that you can’t really criticise anything unti you’ve finished it.

I have watched quite a bit this week. As well as blitzing my way through the whole first series of Fleabag (ahead of series two starting this week), I also watched the clumsily titled doc Lost Soul: The Doomed Journey of Richard Stanley’s “Island of Dr. Moreau”, which is essentially a cross between Hearts of Darkness and Jodorowsky’s Dune, but on a Tesco Value budget. I really liked it.

Also watched this week: Steve McQueen’s Widows (good, but not up to the standard of McQueen’s previous films, and as a heist film it’s just not exciting or stylish enough); and Bohemian Rhapsody (very entertaining and a great performance by Rami Malek, but obviously riddled with historical liberties and inaccuracies and a little bit blunt with its message – so very like Green Book then).

By far my favourite watch of the past few days has been the third series of Documentary Now! which has featured Batsh*t Valley (i.e Netflix’s Wild Wild Country) and Original Cast Album: Co-Op (i.e. Original Cast Album: Company which I’d never heard of but I’m going to watch). They’re very funny, but also the care, attention, detail and downright love that’s evidently poured into each episode just really appeals to me (I put this and Inside No. 9 very much in the same bucket).

My favourite long read of the week was from Gizmodo (not sure I’ve ever said that before!). Ong’s Hat: The Early Internet Conspiracy Game That Got Too Real hits all of my buttons in a very satisfying way, plus I’d never even heard of it before. I love discovering stuff like this.

I also read My Restaurant Was the Greatest Show of Excess You’d Ever Seen, and It Almost Killed Me which is not nearly as macho as it might sound.

Music-wise this week, here’s the new one from the ever-dependable Kieran Hebden:

Consumed the week of 18 February, 2019

Above, Justin K. Thompson, the production designer on Spider-Man: Into the Spider-Verse talks about the experience of creating the film at the brilliant The Story conference this week.

The Story is pretty much the only conference I try and attend every year, and as this year was the 10th anniversary there was no way I was going to miss it. It was a fantastic day with some awesome speakers. My personal favourites were Alison S.M. Kobyashi talking about her performance, Say Something Bunny, and the brilliant and hilarious Sara Wajid (Head of Engagement at Museum of London) talking about cultural diversity, museums and ‘bounce’.

Also this week I managed to work my way through Netflix’s new superhero show, The Umbrella Academy. I didn’t read the original comics, but I liked the take on post-Watchmen/postmodern ‘heroes are real people too’ trope, and the production design was lovely. Plus, a Tiffany dance montage! What’s not to like.

Some other visual treats for you from this week…

This beautiful little video essay from the streets of NYC, about photographer Patrick Barr aka ‘Tiger Hood’ the urban golfer:

And Dieter Rams’s 10 Principles of Good Design:

I read another interview with Steven Soderbergh this week, this time from The Atlantic. Always read Soderbergh interviews, that’s one of my principles 🙂 .

I don’t write much (anything) about clothes here, even though I do find fashion pretty interesting (even though I don’t really like using the term ‘fashion’). I’m an avid follower of the blog Put This On and they just published this article on the genesis, history and current state of Esquire and GQ (combining my interests in fashion and magazine publishing, hurray).

I seem to have read a lot about the internet and the state of digital culture this week, and not a lot of it is cheery.

The always-interesting Caterina Fake (co-founder of Flickr) wrote about why Thoreau was a technophile, and ended her post with a now pretty common sentiment that what was first joyful and revolutionary about the web has been degraded and we should seek to get back to it somehow:

This is what I first loved about the internet: it connected us to each other. We love to connect! But we’re not communicating any more. We went past Dunbar’s number, beyond the number of people we can meaningfully know, which makes our relationships brittle and thin. Fake news, platitudes, bias, and not seeing our friends anymore– just reading their updates–is what it’s come to.

This passage from Thoreau tells me three things: One, we should not forget the wonder of being able to communicate with one another across great distances. All the wonders of the internet are still there: we should see it again with it’s magic. Two: we should pay attention to the past to learn for the present. And three, living as we do in Thoreau’s future, where we can see the future outcomes of those telegraph wires, we should think deeply about the future we ourselves are creating and guide it to a better, more beautiful, future.

Then there’s this by Hossein Derakhshan, who spent six years in prison for blogging in Iran, in which he states: ‘The rich, diverse, free web that I loved  —  and spent years in an Iranian jail for  —  is dying’, before asking ‘Why is nobody stopping it?’.

This essay by curator and journalist Sarah Burke isn’t about the internet per se, but her “investigation of authorship, community, and the value of informal collaborations” got me thinking a lot about my initial attraction to online communities, and how they served as a gentle and safe way for me to meet so many new and interesting people. I always tried to create those feelings for other people in a lot of projects I was involved in (from Londonist, to Qype, to Documentary Club), but as the web evolves into something that is no longer collaborative and personal and communicative, I feel like that is becoming so much harder and that’s a big cause of regret for me.

And talking of online communities, The Atlantic wrote something depressing about the campaign to take down Fuck Jerry and The Limits of Extremely Online Organizing.

Away from the internet for a bit. The Paris Review published a great, really personal essay about the documentary feature Minding The Gap, which I watched a few weeks ago and really enjoyed.

Wired had this great article (from last year, but I only just saw it) on Elizabeth Holmes (of Theranos infamy) and her place as the first feminist antihero.

And Buzzfeed published this tremendous piece of longform crime journalism about, “Tomi Masters… a 23-year-old from Indiana who moved to California with dreams of making it big in the cannabis business. Then she met a hacker who introduced her to a dark new world of digital manipulation, suspicion, paranoia, and fear — one that swallowed her alive and left her floating in a river in the Philippines.”

I’ll leave you this week, with this a beautiful new track from Tim Hecker:

Consumed the week of 11 February, 2019

This week I drank a few pints of white chocolate, strawberry gelato beer (which also includes chilli and basil) and it was actually really good.

I spent the weekend up in Manchester (Stockport, actually) which gave me the chance to draw monster comics with my nephew (I expect my creation, Cheesezilla to be optioned by Marvel very soon), as well as some train time to watch Stephen Soderbergh’s new one, High Flying Bird (shot on entirely in iPhone and starring the fantastic Andre Holland).

I’m almost finished with Gary Shteyngart’s novel, Lake Success which was on quite a few people’s ‘best of’ lists at the end of 2018. It’s going to have to really pull it out of the bag in the last 50 pages or so for me to remember it at the end of 2019 (it’s good, but not great).

The best thing I saw on the internet this week was kubrick.life, a beautifully designed celebration of the director’s life and work. Coincidentally, tickets just went on sale for Stanley Kubrick: The Exhibition opening at the Design Museum in April. I will be there.

I haven’t got into the habit of using newsletter app Stoop yet, (maybe because I don’t normally read things that require more than a little bit of attention on my phone), but Craig Mod’s smart essay on the rise of the newsletter is great and has some good suggestions for new subscriptions.

I’ve been listening to the Electric Lady Sessions album by LCD Soundsystem as well as Laurie Spiegel’s Expanding Universe, and the follow up Unseen Worlds.

Below, the ‘making of’ video for that recent Spike Jonze/Idris Elba Squarespace ad (yes I’m a Spike Jonze fanboy, so sue me):